Herb Williams
Txtual Healing (Johns)
Mixed media
16.5
Jamey Grimes
Strata V
Corrugated Plastic
48
Susan Roberts
Veiled
Watercolor and acrylic on paper
16 x 20
Casey Pierce
Dual (Study)
Charcoal and graphite
17.5
Gabriel Mark
The Judgment of Paris
Oil on Panel
30
Thomas Petillo | Perceive Number Seven | 8
Gabriel Mark
Eris, Goddess of Strife
Oil on Panel
24
Gordon Chandler | Gas Panel #2061 | Steel | 26
Kevin T. Kelly
Drawing for Modern Romance
Pencil on paper
5.5
Kristina Colucci | Kodak | Pewter, Wood, Steel | 9.5
#554
2009 
Gator board, silk, wool, beads
13.75 x 3 x 2.5 in. —Joyce Melander-Dayton
Jonathan Yoerger| High Res No. 4 (YASA)| Lithograph (edition of 3) | 22
Kevin T. Kelly
Everyone's a Critic (Var. 5/6)
Alkyd on digital die bond cut-out
42
Kristina Colucci | Exit Only | Encaustic block painting on wood | 2.75
Christopher Priore | The Sneak | Translucent lacquer on vinyl, auto body paint on three arrows | 5' x 29
Julia Martin
Where Past Meets Present
Oil on canvas
47
Michael Brown | The Epic | Acrylic on canvas | 24
Charles Clary | Muted Melody (detail) | Acrylic and hand-cut paper on panel | Dimensions Variable —Charles Clary
Irish Myth Emma —Brett Osborn
Christopher Priore | Family Tree | Translucent lacquer on clear vinyl, with autobody paint on six arrows | 9'8
Drew Galloway
Current
Oil on collaged metal
33
Catherine Forster | Now for the Painter #28 | Archival inkjet prints mounted on aluminum, antique frames | 13
George Downing Barney | Mixed Media | 
39
Martin Saint-Laurent
Grand-maman j'vais m'lave' mon regard
Mixed media on wood
96 x 24
Thomas Petillo | Celebration Number Three | 8
Three Apples —Tom Baril
Hunt Slonem
Lucky Charm
Oil on canvas
40
Charles Clary | Terr-a-diddle Formation | Acrylic and hand-cut paper on panel | Dimensions Variable —Charles Clary
Catherine Forster | Now for the Painter #7 | Archival inkjet prints mounted on aluminum, antique frames | 13.5
Dahlia —Tom Baril
 —Roy Butler
Caleb Charland | Silhouette with Matches | Archival inkjet print | 24

Tom Baril

Two and a Half Pears

Tom Baril was born in Connecticut in 1952. After graduating from New York's School of Visual Arts in 1980 with a BA in photography, he served as Robert Mapplethorpe's exclusive print maker. Since then Baril has distanced himself from the Mapplethorpe work and has enjoyed a solo career by bringing to us something uniquely his own- stunning imagery from both behind the camera and out of the darkroom.

 

In the last 25 years, printmaking is not all that Tom Baril has mastered. He embraces every nuance of his medium. Whether it is 4x5 Polaroid pinhole or 8 x 10 collodion wet-plate, Baril manages to astonish us with technically perfect and exquisitely pure prints. Baril’s studies include urban architecture, minimalist seascapes and meticulously detailed botanicals and still lifes.

 

One of Baril’s biggest accomplishments to date has been succeeding to change the way some people look at flowers. Few photographers are capable of bringing their viewers to look on something as familiar as a flower with such a new and fresh perspective. “If I am successful, the photograph reveals the underbelly, the overlooked and the under-appreciated.”

 

In the words of one commentator, Baril's "exquisitely imagined and powerfully rendered" images are "...clearly founded upon the photographic masters of the past. But his tones and techniques demonstrate a contemporary vision, offering an elegant synthesis of artistic tradition and current aesthetics." In other words, the effect achieved in Baril's work is "both classic and contemporary."

 

Tom Baril’s work has been the subject of two monographs, the highly acclaimed sold out self-titled book published by 4AD in 1997, and Botanica published by Arena Editions in 1999. His work has been featured in numerous publications, and is among prestigious collections both public and private: The Philadelphia Museum of Art, Los Angeles County Museum of Art, the Center for Creative Photography, the George Eastman House, Amsterdam's Stedelijk Museum, The Fogg Museum at Harvard University, the Polaroid Collection, and the Elton John Collection.

 

Resume

 

Selected Solo Exhibitions

2005 Metropolis Gallery, Bologna, Italy
  The Ralls Collection, Washington, DC
  Robert Klein Gallery, Boston, MA
2004 Anne Reed Gallery, Ketchum, ID
  Allene Lapides Gallery, Santa Fe, Mexico
  Foto Fest, Houston, TX
  Lonsdale Gallery, Toronto, Canada
2003 Catherine Edelman Gallery, Chicago, IL
  Oswald Gallery, Austin, TX
  Works On Paper, Philadelphia, PA
2002 Robert Koch Gallery, San Francisco, CA
  Joseph Bellows Gallery, La Jolla, CA
  The Ralls Collection, Washington, DC
  William Shearburn Gallery, St. Louis, MO
  Davis Keil Gallery, Naples, FL
2001 Works on Paper, Philadelphia, PA
  Bonni Benrubi Gallery, NYC
2000 Carla Sozanni Gallery, Milan, Italy
  Robert Klein Gallery, Boston, MA
  Fahey/Klein Gallery, Los Angeles, CA
  Works on Paper, Philadelphia, PA
  Lapides Gallery, Santa Fe, NM
  Robert Koch Gallery, San Francisco, CA
  The Ralls Collection, Washington, DC
  Winston Wachtner Fine Art, Seattle, WA
1999 Bonni Benrubi Gallery, NYC
  Catherine Edelman Gallery, Chicago, IL
  Irving Galleries, Palm Beach, FL
  Fahey/Klein Gallery, Los Angeles, CA
1998 Verso Gallery, Tokyo, Japan
1997 Bonni Benrubi Gallery, NYC
  Robert Klein Gallery, Boston, MA
  Fahey/Klein Gallery, Los Angeles, CA
  Lapides Gallery, Santa Fe, New Mexico
1996 Catherine Edelman Gallery, Chicago, IL
  John Cleary Gallery, Houston, TX
  Jackson Fine Art, Atlanta, GA
1995 Robert Koch Gallery, San Francisco, CA
  Robert Klein Gallery, Boston, MA
  Fahey/Klein Gallery, Los Angeles, CA
1988 Ledel Gallery, NYC
  Drew University, Madison, NJ
1987 Center for Metropolitan Studies, University of Missouri, Santa Cruz Operations, Santa Cruz, CA
1986 Albrecht Art Museum, St. Joseph, MO
1984 Ledel Gallery, NYC 

 

Selected Group Exhibitions

2002 “What were they Thinking?” Catherine Edelman Gallery
2000 “Five Years” Candace Perich Gallery
1999 “Sea Change” The Seascape in Contemporary Photography, Museum of Photographic Arts, San Diego, CA
  “Sea Change” The Seascape in Contemporary Photography, International Center of Photography, NYC
1998 “The Power of Flowers”, Society for Contemporary Photography, Kansas City, MO
  “Waterproof”, Parque Expo 1998, Lisbon, Portugal
  “Sea Change” The Seascape in Contemporary Photography, Center for Creative Photography, Tucson, AZ
1997 Robert Koch Gallery, San Francisco, CA
1996 Bonni Benrubi Gallery, NYC
1995 “From New York to LA”, Society for Contemporary Photography, Kansas City, KS
1994 The Ralls Collection, Washington, DC
  Staley Wise Gallery, NYC
1992 River Run Gallery, Ketchum, ID
1989 ArtLink, Fort Wayne, IN
  Long Island University, Brooklyn, NY
1988 Little-John Smith Gallery, NYC
1985 Sheldon Memorial Art Gallery, Lincoln, NB
1983 Ledel Gallery, NYC
1982 City Gallery, New York Cultural Center, NYC

 

Published Work

Tom Baril, Published by 4AD, 1997
Tom Baril: Botanica, Arena Editions, May 2000

 

Collections

Philadelphia Museum of Art, Philadelphia, PA
Smith College, Northampton, MA
Addison Gallery of American Art, Andover, MA
Delaware Art Museum, Wilmington, DE
Los Angeles County Museum of Art, Los Angeles, CA
Center for Creative Photography, Tucson, AZ
George Eastman House, Rochester, NY
The Brooklyn Museum, Brooklyn, NY
Houston Museum of Fine Arts, Houston, TX
Stedelijk Museum, Amsterdam
Canadian Center for Architecture, Montreal
Fogg Art Museum, Cambridge, MA
Vereins Und Westbank AG, Hamburg, Germany
Chase Manhattan Bank, NYC
Fidelity Investments, Boston, MA
Johnson & Johnson, New Brunswick, NJ
Alan Seigel Collection
Elton John Collection
Ralph Lauren Collection
Hallmark Photographic Collection, Kansas City, MO

 

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