Erin Anfinson | Collapse 3 | Encaustic on paper | 10
Julia Martin
Heroine
Oil on panel
17 x 22.5
Drew Galloway
Creek Study Allegro
Oil on collaged metal
20
Terrain 3 —Allen Peterson
Kevin T. Kelly
Trigger Treat
Acrylic on Canvas
70
Amy Hamblin
Kidneys
Wire mesh
44
Kevin T. Kelly
Drawing for Shot Down in Flames
Pencil on paper
5
Jamey Grimes
Between Space
Corrugated Plastic
Dimensions Variable —Jamey Grimes
Dooby Tomkins
Green Beans Screen Print
Mixed media on canvas
15x10 —Dooby Tomkins
Janis Pozzi-Johnson
Alluvium
Oil on canvas
16
#553
2009
Gator board, silk, wool, beads
1 x 14 x 9.5 in. —Joyce Melander-Dayton
Brandi Milosavich
Yellow Birds on Branches 
Mixed Media on Panel
21
Hunt Slonem
The Appearance
Oil on canvas
44
Frank Milo
Joer
Mixed media on canvas
48 x 36
Kevin T. Kelly
Panic Scenario
Pencil on paper
6.375
#554
2009 
Gator board, silk, wool, beads
13.75 x 3 x 2.5 in. —Joyce Melander-Dayton
Whitney Wood
Dualities V
Mixed media on canvas
96
Lydia and her Brother after the Wedding —Brett Osborn
Brandi Milosavich
Blue Bird on Wire
Mixed Media on Panel
24
Chris Ellis | Voice of the Voiceless | Mixed media | 44 1/2
Kevin T. Kelly
Suburban Blight
Acrylic on paper
5
Erin Anfinson | Migration of the Disruptors: Sample 7 | Encaustic on paper | 6
Thomas Petillo | Actuate Number One | 11.25
Catherine Forster | Now for the Painter #29 | Archival inkjet prints mounted on aluminum, antique frames | 13.5
Dooby Tomkins
Batman Steals Third 
Oil, acrylic on canvas
72
Gabriel Mark
The Four Tasks of Psyche
Oil on Panel
48
Gordon Chandler | Self #2063 | Welded Scaffold jacks | 37
Rondo
2009
Gator board, wool, cotton, beads, 20.5 x 105.5 in. —Joyce Melander-Dayton
David Hellams
Isuzu
Graphite on paper
9
#533
2006
Acrylic, cotton, wool, beads on linen canvas
60 x 40 in. —Joyce Melander-Dayton
Thomas Petillo | Elevate Number Six | 11.25
Emily Leonard / 
Untitled / 
Mixed media on gessoed paper / 
11

L.A. Bachman

L.A. Bachman | Spill Forth | Mixed media on paper | 30

Artist Statement

Children know what they like and dislike before they develop the cognitive skills to explain their personal preferences. Through this series I want to catch people with the instant visual enjoyment of the drawings and paintings before the viewer has a chance to think any further. I have found that eluding to natural shapes amidst unrecognizable ones sooths people. Recognition can be a powerful force when faced with an unknown; therefore I incorporate organic patterns, as an offering of comfort.

Biography

L. A. Bachman investigates the effects of art on developing minds both young and old. In recent works, Bachman focuses on the principals of art and design as a subject matter. She revisited the principals of art and design after teaching high school and elementary students. Over the course of a semester she observed the dually calming and alarming effects of discussing art with students. When referencing the similarities between art and sports, (hand-eye coordination) and math, (value + proportion = perspective) some of art’s mystery was taken away; the objectivity was challenged.

The myth that artists are merely gifted or have a “God-given” talent is shaken when principals are introduced. Aesthetics has a science and philosophy to be learned and studied. This hesitation of the art novice to embrace abstract images inspires Bachman to create delicate, biological, abstract drawings. These drawings possess some recognizable shapes. The work also leaves room for the viewer’s interpretation, much like a child finds objects concealed in cloud formations or a psychiatrist’s use of a Rorschach blot.

Outside of making art, Bachman takes advantage of opportunities that incorporate the arts in various forms. An ongoing facet of her involvement in the art community has been working as a studio manager and personal assistant for the nationally known artist Adrienne Outlaw. Bachman is most recently collaborating with Justin Tam and Jamie Bennett in their LP release of The Pace of Our Feet. Bachman holds a BFA from Belmont University and a K-12 teaching license from the state of Tennessee. She originates from St. Louis, Missouri where her family still lives. Travel has been an intricate part of her ongoing education. What began as a May-mester in Florence, Italy through Belmont University in 2004 has led to many more artistic pilgrimages including Toronto, Canada, London, England, and most recently, Yonago, Japan. Interacting with other cultures and the arts of those cultures affect Bachman’s personal work.
 

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