Tom Baril
Tom Baril was born in Connecticut in 1952. After graduating from New York's School of Visual Arts in 1980 with a BA in photography, he served as Robert Mapplethorpe's exclusive print maker. Since then Baril has distanced himself from the Mapplethorpe work and has enjoyed a solo career by bringing to us something uniquely his own- stunning imagery from both behind the camera and out of the darkroom.
In the last 25 years, printmaking is not all that Tom Baril has mastered. He embraces every nuance of his medium. Whether it is 4x5 Polaroid pinhole or 8 x 10 collodion wet-plate, Baril manages to astonish us with technically perfect and exquisitely pure prints. Baril’s studies include urban architecture, minimalist seascapes and meticulously detailed botanicals and still lifes.
One of Baril’s biggest accomplishments to date has been succeeding to change the way some people look at flowers. Few photographers are capable of bringing their viewers to look on something as familiar as a flower with such a new and fresh perspective. “If I am successful, the photograph reveals the underbelly, the overlooked and the under-appreciated.”
In the words of one commentator, Baril's "exquisitely imagined and powerfully rendered" images are "...clearly founded upon the photographic masters of the past. But his tones and techniques demonstrate a contemporary vision, offering an elegant synthesis of artistic tradition and current aesthetics." In other words, the effect achieved in Baril's work is "both classic and contemporary."
Tom Baril’s work has been the subject of two monographs, the highly acclaimed sold out self-titled book published by 4AD in 1997, and Botanica published by Arena Editions in 1999. His work has been featured in numerous publications, and is among prestigious collections both public and private: The Philadelphia Museum of Art, Los Angeles County Museum of Art, the Center for Creative Photography, the George Eastman House, Amsterdam's Stedelijk Museum, The Fogg Museum at Harvard University, the Polaroid Collection, and the Elton John Collection.
Resume
Selected Solo Exhibitions
| 2005 | Metropolis Gallery, Bologna, Italy |
| The Ralls Collection, Washington, DC | |
| Robert Klein Gallery, Boston, MA | |
| 2004 | Anne Reed Gallery, Ketchum, ID |
| Allene Lapides Gallery, Santa Fe, Mexico | |
| Foto Fest, Houston, TX | |
| Lonsdale Gallery, Toronto, Canada | |
| 2003 | Catherine Edelman Gallery, Chicago, IL |
| Oswald Gallery, Austin, TX | |
| Works On Paper, Philadelphia, PA | |
| 2002 | Robert Koch Gallery, San Francisco, CA |
| Joseph Bellows Gallery, La Jolla, CA | |
| The Ralls Collection, Washington, DC | |
| William Shearburn Gallery, St. Louis, MO | |
| Davis Keil Gallery, Naples, FL | |
| 2001 | Works on Paper, Philadelphia, PA |
| Bonni Benrubi Gallery, NYC | |
| 2000 | Carla Sozanni Gallery, Milan, Italy |
| Robert Klein Gallery, Boston, MA | |
| Fahey/Klein Gallery, Los Angeles, CA | |
| Works on Paper, Philadelphia, PA | |
| Lapides Gallery, Santa Fe, NM | |
| Robert Koch Gallery, San Francisco, CA | |
| The Ralls Collection, Washington, DC | |
| Winston Wachtner Fine Art, Seattle, WA | |
| 1999 | Bonni Benrubi Gallery, NYC |
| Catherine Edelman Gallery, Chicago, IL | |
| Irving Galleries, Palm Beach, FL | |
| Fahey/Klein Gallery, Los Angeles, CA | |
| 1998 | Verso Gallery, Tokyo, Japan |
| 1997 | Bonni Benrubi Gallery, NYC |
| Robert Klein Gallery, Boston, MA | |
| Fahey/Klein Gallery, Los Angeles, CA | |
| Lapides Gallery, Santa Fe, New Mexico | |
| 1996 | Catherine Edelman Gallery, Chicago, IL |
| John Cleary Gallery, Houston, TX | |
| Jackson Fine Art, Atlanta, GA | |
| 1995 | Robert Koch Gallery, San Francisco, CA |
| Robert Klein Gallery, Boston, MA | |
| Fahey/Klein Gallery, Los Angeles, CA | |
| 1988 | Ledel Gallery, NYC |
| Drew University, Madison, NJ | |
| 1987 | Center for Metropolitan Studies, University of Missouri, Santa Cruz Operations, Santa Cruz, CA |
| 1986 | Albrecht Art Museum, St. Joseph, MO |
| 1984 | Ledel Gallery, NYC |
Selected Group Exhibitions
| 2002 | “What were they Thinking?” Catherine Edelman Gallery |
| 2000 | “Five Years” Candace Perich Gallery |
| 1999 | “Sea Change” The Seascape in Contemporary Photography, Museum of Photographic Arts, San Diego, CA |
| “Sea Change” The Seascape in Contemporary Photography, International Center of Photography, NYC | |
| 1998 | “The Power of Flowers”, Society for Contemporary Photography, Kansas City, MO |
| “Waterproof”, Parque Expo 1998, Lisbon, Portugal | |
| “Sea Change” The Seascape in Contemporary Photography, Center for Creative Photography, Tucson, AZ | |
| 1997 | Robert Koch Gallery, San Francisco, CA |
| 1996 | Bonni Benrubi Gallery, NYC |
| 1995 | “From New York to LA”, Society for Contemporary Photography, Kansas City, KS |
| 1994 | The Ralls Collection, Washington, DC |
| Staley Wise Gallery, NYC | |
| 1992 | River Run Gallery, Ketchum, ID |
| 1989 | ArtLink, Fort Wayne, IN |
| Long Island University, Brooklyn, NY | |
| 1988 | Little-John Smith Gallery, NYC |
| 1985 | Sheldon Memorial Art Gallery, Lincoln, NB |
| 1983 | Ledel Gallery, NYC |
| 1982 | City Gallery, New York Cultural Center, NYC |
Published Work
| Tom Baril, Published by 4AD, 1997 |
| Tom Baril: Botanica, Arena Editions, May 2000 |
Collections
| Philadelphia Museum of Art, Philadelphia, PA |
| Smith College, Northampton, MA |
| Addison Gallery of American Art, Andover, MA |
| Delaware Art Museum, Wilmington, DE |
| Los Angeles County Museum of Art, Los Angeles, CA |
| Center for Creative Photography, Tucson, AZ |
| George Eastman House, Rochester, NY |
| The Brooklyn Museum, Brooklyn, NY |
| Houston Museum of Fine Arts, Houston, TX |
| Stedelijk Museum, Amsterdam |
| Canadian Center for Architecture, Montreal |
| Fogg Art Museum, Cambridge, MA |
| Vereins Und Westbank AG, Hamburg, Germany |
| Chase Manhattan Bank, NYC |
| Fidelity Investments, Boston, MA |
| Johnson & Johnson, New Brunswick, NJ |
| Alan Seigel Collection |
| Elton John Collection |
| Ralph Lauren Collection |
| Hallmark Photographic Collection, Kansas City, MO |





















